【毕业论文标题】 论当下中国流行音乐的新趋势
【英文标题】 On the Discussion of the Current Chinese Pop Music's New Trend
【中文摘要】 本文分为导言和七个章节来论述当下我国流行音乐的新趋势。在导言部分,首先笔者界定了我国流行音乐新趋势发生变化的“当下”这个时间段,以及新趋势发生的社会和文化背景,并在此基础上,笔者对于流行音乐的定义作了新的界定。我国当下流行音乐新趋势出现的时间应为1992年,这是因为1992年后我国社会和文化发生了较大的转变,在这样一个大的社会文化转型背景下,我国流行音乐也发生了新的变化,主要体现在生产制造层面、文本内容和形式层面、传播与接受层面这三个方面。这些变化不但改变着我国流行音乐的文化特征和美学价值,也具体而微地塑造着人们的生活趣味和审美风尚。以下六个章节分别从当下我国流行音乐发生嬗变的三重背景、工业化制作模式、主题更新、形式转换、传播范围的拓宽和接受方式的丰富六个方面对我国流行音乐在当下的新趋势作出详细的论述和总结。其中第二章节是本文论述的中心和重点,首先,主要是从生产制造层面上明确指出当下我国流行音乐新趋势出现的根本原因和表现在于商业化原则的渗透与工业化制作模式的引入。在此基础上,我国流行音乐在文本的主题和形式层面发生了从“宏大叙事”到“生活物语”,从“诗歌化”到“故事化”的转变。而在传播和接受层面,一方面出现了新的传播媒介,拓宽了传播领域;另一方面,私密化和碎片化的接受方式成为了当下我国流行音乐体验的新方式。论文的最后一部分,笔者对于我国流行音乐的当下隐忧和未来发展方向提出了几点看法。笔者认为,在商业化原则渗透的今天,我国流行音乐的发展仍然隐忧重重:单一化、平面化、重复化的审美倾向仍然存在,商业与技术的裹挟下我国流行音乐的色情化与暴力化倾向也让人担忧;但是我们也应该看到,我国流行音乐作为一种复杂性和包容性极强的艺术门类,其继续发展的空间仍然很大。对于我国流行音乐来说,积极应对消费社会的到来,规范和弘扬我国流行音乐中的健康因素,创新、提升流行音乐的品质,这些将是我国流行音乐未来发展的根本。

【英文摘要】 In this paper, divided into an introduction and seven chapters to describe the moment our country the new trend in pop music. In the introductory part, first of all, I defined the new trends in pop music our country to change the "present" this time period, and the new trend of social and cultural background, and on this basis, the author's definition of pop music for the new definition made . China's current pop music trend has emerged for a time in 1992, this is our country after 1992 because of social and cultural changes have taken place in the larger, in such a large context of social and cultural transformation, our country have also taken place in pop music, new changes, mainly in the production level, the text of the content and form level, the level of communication and acceptance of these three areas. These changes not only to change the pop music of our cultural identity and aesthetic values, but also to create miniature people's aesthetic tastes and habits of life.The following six chapters of our country from the current evolution of popular music happened triple background, industrial production model, subject to update, format conversion, dissemination and acceptance of broadening the scope of the wealth of the six aspects of the way our country pop music on the new trend at the moment in detail discussed and concluded. The second chapter is one of the center of this paper, and focus, first of all, the main production levels are up from clear that the current new trends in pop music, our country appears to the root causes and manifestations of the principle of commercial penetration and the introduction of industrial production mode. On this basis, China's popular music in the text and the subject have taken place in the form of levels from the "grand narrative" to "Living Story", from "Poetry" to "the story of" change. And in the dissemination and acceptance level, on the one hand, the emergence of new media and broaden the field of communication; On the other hand, privacy and debris to accept the way of our country has become the popular music of today to experience a new way. The last part of the thesis, the author of the popular music of our current problems and future development direction of the views put forward a number of points. The author believes that the principle of penetration in the business today, the development of China's pop music still many problems: single, flat, and duplicate the aesthetic tendency of still exist, business and technology of our country Surrounded pornographic pop music and the tendency of violence is also worrying; But we should also see that our country pop music as a complicated and highly inclusive category of art, and its continued development is still much room.Pop music for my country, the positive response to the arrival of consumer society, norms and popular music in our country to carry forward the health factors, innovation and enhance the quality of pop music, which will be the future development of China's pop music is all about.

【中文关键词】 流行音乐; 新趋势; 审美文化
【英文关键词】 pop music; new trends; aesthetic culture
【论文目录】
中文摘要 6-7
ABSTRACT 7-8
导言 9-13
第一章 当下我国流行音乐嬗变的三重背景 13-17
    一 市场经济的深入发展 13-14
    二 市民社会的逐渐成型 14-15
    三 科学技术的迅速发展 15-17
第二章 从“扒带”走向“原创”——工业化制作模式的成型 17-22
    一 制作原则的商业化 17-18
    二 制作流程的工业化 18-20
    三 制作方式的高科技化、国际化 20-22
第三章 从“宏大叙事”到“生活物语”——流行音乐主题上的更新 22-35
    一 爱情题材的滥觞 22-24
    二 民族意识的高扬 24-28
    三 性别身份的重构 28-32
    四 生存烦恼的宣泄 32-35
第四章 从“诗歌化”到“故事化”——流行音乐形式上的转换 35-42
    一 叙述方式从营造意境转向讲述故事 35-37
    二 唱法风格从柔美抒情转向通俗质朴 37-39
    三 呈现方式从听觉走向视觉 39-42
第五章 从唱片、电台到网络、手机——流行音乐传播范围的拓宽 42-46
    一 “旧”媒介的限制 42-43
    二 “新”媒介的便利 43-44
    三 媒介不仅是媒介 44-46
第六章 从“倾听”到“参唱”——流行音乐接受方式的丰富 46-51
    一 私密化体验的滥觞 46-47
    二 碎片化感受的生成 47-48
    三 卡拉 OK:以“参唱”的方式倾听 48-51
第七章 当下我国流行音乐的隐忧与前景 51-58
    一 当下我国流行音乐隐忧重重 51-54
    二 我国流行音乐未来前景广阔 54-58
结语 58-59
注释 59-61
参考文献 61-64
攻读学位期间的研究成果 64-65
致谢 65