当代工笔人物画构图演变之探析
【中文摘要】 构图是绘画的组织方式,是表达绘画内容与审美意象的重要因素。构图的基本含义是在一定空间范围内安排和处理对象的位置和关系,通过空间组织和平面分割等方式使画面协调完整。中西方绘画由于文化背景、审美观和科学观的不同,在构图方面具有明显的差异。由于近现代以来中西方绘画的全面交流与碰撞,中国绘画对西方绘画因素的借鉴已成为不争的事实,而对中西绘画进行比较思考,具体分析当代全球化交流语境下如何更合理的借鉴西方绘画,是当代工笔人物画仍需面对的现实性课题。本文从中西绘画比较的基础上研究自20世纪初大量西方绘画传入中国以来当代工笔人物画在与西方绘画接触和碰撞的过程中构图方面产生的一系列变化,通过分析当代工笔人物画在多元文化共存的背景下传统的构图程式对西方绘画构图的借鉴和融合,试图探索当代工笔人物画在保持其民族性的同时如何更好的融合西方绘画来加强其现代性,寻找当代工笔人物画构图在中西融合中的最佳契合点。全文分四个部分具体论述,第一部分概述中西方人物画构图各自的不同特点,主要从画幅形式、空问处理、画面布局等方面分别阐述。第二部分比较中西方人物画构图的异同,以分析各自的相异点为主。为研究当代工笔人物画构图对传统构图程式的淡化而逐渐与西方人物画构图趋同提供参考。第三部分论述近现代工笔人物画构图的构图特点,并分析其构图变化的原因。结语部分总结中西方绘画构图因素在工笔人物画中的融合,并对当代工笔人物画的发展提出建议。 

【英文摘要】 Based on the comparison between Chinese and western paintings,this thesis researches a series of changes in composition of Chinese gongbi figure painting in the process of collision and contact with western painting since western painting introduced into China at the beginning of the 20th century.Through analyzing traditional composition's reference and fusion of western painting under a multi-culture background,this thesis aims to explore how contemporary Chinese gongbi figure painting strengthens the integration of western painting to strengthen modernity as well as maintain its nationality,and thus searches the optimal composition fusion between Chinese gongbi figure painting and western painting.This dissertation tries to research how a series of great changes about the composition of contemporary Chinese meticulous brushwork figure painting happened,on the base of comparing the Chinese and western painting,during the process of contacting and conflicting between the Chinese and western painting since a great deal of western paintings were brought into China at the beginning of 20th century.By analyzing the history of traditional methods of the composition of Chinese meticulous brushwork figure painting fused with and learned from western paintings with a pluralistic cultures existing background,this essay will try to not only seek the way in which contemporary Chinese meticulous brushwork figure painting can take advantage of the experience of western painting better and enhance its modernity,while preserving its nationality,but also pursue the meeting point that the composition of contemporary Chinese meticulous brushwork figure painting can combine with western painting with the optimum efficiency.This thesis is divided into four parts.The first part summarizes different characteristics of Chinese and western painting composition respectively,mainly from the aspects of frame form,space disposal,painting layout and so on.The second part compares the similarities and differences between Chinese and western painting composition,primarily analyzing their different points,which provides reference for the study of traditional composition pattern's softened effect on contemporary painting composition and contemporary painting composition's development trend towards western painting composition.The third part discusses the composition characteristics of modern painting,and analyzes reasons for its composition changes. In the end,this thesis summarizes the fusion of Chinese and western painting composition in Chinese gongbi figure painting,and makes suggestions for the development of contemporary Chinese gongbi figure painting. 

【中文关键词】 构图; 工笔人物画; 融合; 比较
【英文关键词】 Composition ; Chinese gongbi figure paintings ; Fusion ; Comparison
【毕业论文目录】
中文摘要 4-5
Abstract 5-6
引言 8-10
第一章 中国传统工笔人物画与西方写实人物画的构图特点 10-17
    1.1 中国传统工笔人物画的构图特点 10-14
    1.2 西方写实人物画的构图特点 14-17
第二章 中西方写实人物画构图比较 17-24
    2.1 画幅形式与人物安排 17-19
    2.2 人物关系与背景 19-22
    2.3 肖像画构图比较 22-24
第三章 受西画影响的当代工笔人物画构图特点及成因 24-41
    3.1 西方写实人物画构图形式对近现代工笔人物画影响 24-28
    3.2 当代工笔人物画构图对西方绘画因素的借鉴 28-34
    3.3 当代工笔人物画构图形式嬗变之原因探究 34-41
结语 41-42
参考文献 42-44
后记 44