“涂鸦艺术”的手法给平面设计的启示
An Inspiration from the Methods of Graffiti-art to Graphic Design
【摘要】 从神秘的史前时期到现代社会,人类的思维、想象和某些基本情感似乎延续着一种特殊的语言。这种语言它超越了地区的、民族的或是国家的界限,包容了整个人类。它就是单纯而又神秘的涂鸦艺术。在历史的进程当中,不管涂鸦艺术经过怎样的洗礼和演变,是画在公寓的墙上或者地铁车厢外的作品,还是与现代时尚艺术结合的作品,涂鸦艺术都呈现出其特殊的表现手法。与此同时,平面设计领域面临着一些问题:商业社会中逐渐增加的信息量,为设计师做设计带来难度;重复的设计手法的使用,带来兴奋感和刺激性的降低。而这些问题的解决与否,对平面设计信息的能否有效传达起到很大的作用。故本文从“涂鸦艺术”的手法给平面设计的启示着手,希望可以使涂鸦艺术和平面设计碰撞出新的火花。文章具体从思维方式和表现手法两个方面展开,分别论述其带给平面设计的启示。其中在思维方式带来的启示上,要求平面设计师注意到以下几个方面:设计思维的释放,感觉和本质精神的表达,设计师与消费者之间的互动以及环境与作品之间的相互影响等。在表现手法带来的启示上,首先理清涂鸦的造型语言特征,然后论述这些表现手法在平面作品中的具体运用。这些启示是对于涂鸦艺术比较深层次的借鉴,特别是思维方式这一方面,而不是两种艺术形式的简单相加。对于艺术和设计的结合来说,需要这种深厚的根源以防流于单纯的模仿。同时也使我们认识到,在具有深刻体会的基础上做出的设计,将会面临一个更广阔自由,更符合人性,也会带来更多商业利益的空间。  还原

【Abstract】 From the mysterious prehistoric rock paintings to the 20th century 60's modern graffiti art, human thought, imagination and some basic emotions seems to have a common language. It goes beyond the language of the region, ethnic or national boundaries, inclusive of the entire human race. It is simple and mysterious graffiti art. In the course of history, regardless of how the evolution of graffiti art, whether painting on the walls of an apartment or in the subway trains, or a continuation of the spirit of resistance in modern fashion art, graffiti art always continue to promote a sprite-that is free sprite. Adam Smith began from studying on human, he believe that human nature have six aspects: protect themselves, reproduce, order, happiness, breed future generations and freedom. Freedom as one of the highest in the pursuit of human nature, and its significance to human it is remarkable. As a theoretical basis, and through graffiti art and graphic design's comprehensive survey, we found that it is important that bringing the sprint of freedom of the graffiti art into the graphic design, it has a significant role on pursuing of happiness and freedom in modern commercial society.At the same time, debris and shallow sense of graphic design as a result of from lacking of the nature, and too much information coverage brought the lower of irritation and the excitement, graphic design have made to face a much-needed changes in the special stage. And thishe essence of the spirit, designers and consumers rationalize the role of conversion, as well as change can not proceed from the form, faced with Consumers have an increasing number of emotional needs, and for the significance of consumption requirements, a change in the nature of the spirit is neessary. After a description of the graffiti art and a analysis of the relationship between its freed spirit and form of artistic expression, we found that graffiti art can bring the freedom of the spirit of a lot of graphic design inspiration, which requires graphic designers to do: the thinking of releasing freedom design, feeling and attention to fully express, a clever deal with the environment and works, such as mutual support. Inspiration for these graffiti artistic freedom. The essence of the spirit of the draw, the two art forms rather than a simple sum, the combination of art and design, the need to prevent the root causes of this deep flow in a simple imitation. At the same time also makes us realize that, in the deeply spiritual needs on the basis of design, will face a broader freedom, more in line with human nature, will create more space for commercial interests.

【关键词】 涂鸦艺术; 手法; 平面设计; 启示
【Key words】 graffiti art; methods; graphic design; Inspiration
  “涂鸦艺术”的手法给平面设计的启示

中文摘要 9-10
ABSTRACT 10-11
第1章 绪论 12-14
    1.1 研究目的及意义 12-13
    1.2 相关领域的研究进展及成果 13-14
第2章 涂鸦艺术概述 14-22
    2.1 涂鸦艺术的概念 14-16
    2.2 涂鸦艺术的产生 16-17
        2.2.1 社会背景和阶级感受 16
        2.2.2 心理需求的爆发 16-17
        2.2.3 反传统的文化现象 17
    2.3 涂鸦艺术的发展 17-20
    2.4 本章小结 20-22
第3章 涂鸦艺术的思维方式给平面设计的启示 22-36
    3.1 设计思维的释放 22-27
        3.1.1 自由的设计思维 22-25
        3.1.2 设计思维的自由运用 25-27
    3.2 体验经济时代的平面设计 27-30
        3.2.1 感觉至上主义 27-28
        3.2.2 设计师与消费者之间的互动 28-30
    3.3 自由的娱乐精神 30-32
        3.3.1 娱乐带来舒适 30-31
        3.3.2 幽默引起注意 31-32
    3.4 设计作品与环境的相互作用 32-34
    3.5 本章小结 34-36
第4章 涂鸦艺术的表现手法给平面设计的启示 36-44
    4.1 涂鸦艺术的表现语言 36-39
    4.2 涂鸦艺术的表现手法在平面设计中的运用 39-42
        4.2.1 整体运用 39-41
        4.2.2 局部运用 41-42
    4.3 本章小结 42-44
结论 44-46
参考文献 46-48
攻读学位期间发表的学术论文 48-50
致谢 50-51
学位论文评阅及答辩情况表 51